Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 22,Útgáfa 2Indiana University Press, 2000 |
From inside the book
Niðurstöður 1 - 3 af 27
Síða 42
... scene , Anna sits in a movie theater , where she watches a film de- picting demolished buildings . Images of war , marching armies , and other violent historical episodes also appear on screen . A broken voice - over narrates the scenes ...
... scene , Anna sits in a movie theater , where she watches a film de- picting demolished buildings . Images of war , marching armies , and other violent historical episodes also appear on screen . A broken voice - over narrates the scenes ...
Síða 59
... scene in The Practice of Love is particularly evocative of such desire to explode classical , limited concepts of time , space , subjectivity , and reality . This segment of the film shows Alfons and Judith as they each separately walk ...
... scene in The Practice of Love is particularly evocative of such desire to explode classical , limited concepts of time , space , subjectivity , and reality . This segment of the film shows Alfons and Judith as they each separately walk ...
Síða 68
... scene just described , Metz's use of the room metaphor as surface of visibility and presence is remarkably inadequate to account for the representational op- erations in the scene at the hotel room featured in The Practice of Love ...
... scene just described , Metz's use of the room metaphor as surface of visibility and presence is remarkably inadequate to account for the representational op- erations in the scene at the hotel room featured in The Practice of Love ...
Efni
Speak Body | 8 |
Valie Exports Invisible Adversaries | 25 |
Feminist Phenomenology | 46 |
Höfundarréttur | |
5 aðrir hlutar ekki sýndir
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Common terms and phrases
Adelheid Arndt Adjoined Dislocations aggression Alfons Alfons's Anna Anna's apparatus Art Informel artists becomes black and white blonde woman bodily camera corporeal counter-surveillance cultural Denham desire Discourse 22.2 Spring dream Empire State Building erotic essay expanded cinema Export's film external female body feminine feminist Feminist Actionism field of vision figure film's Fluxus Freud gaze gender hand Haver Heidegger Heidegger's Hyksos Invisible Adversaries island Jacques Lacan Judith Kaja Silverman King Kong Lacan language Lingis male material metaphor mirror mode movement object Oskar Kokoschka paranoia perception phenomenological philosophical Photo photographic pleasure political position Practice of Love present produced psychic psychoanalytic radical relation representation Roswitha Mueller scene Schimmel Schoedsack Schreber's screen sensational body sense sequence sexual shot simultaneously Skull Island space specular suggests Syntagma tion Touch Cinema Trans Uncanny Valie Export Vienna Viennese Action viewer Visible World visual world picture York