Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 22,Útgáfa 2Indiana University Press, 2000 |
From inside the book
Niðurstöður 1 - 3 af 15
Síða 22
... opening sequence . Again , bare feet with red toenail polish move up and down stairs , often accompanied by the superimposed image of high - heeled feet doing the same . After this last repetition of the most frequently depicted action ...
... opening sequence . Again , bare feet with red toenail polish move up and down stairs , often accompanied by the superimposed image of high - heeled feet doing the same . After this last repetition of the most frequently depicted action ...
Síða 26
... opening sequence rather induces a kind of terror of its own , which is of a quite different variety than the terror of Hitchcock's stalking camera . Whereas Psycho imagines the eye as a sharp , precise instrument which probes into and ...
... opening sequence rather induces a kind of terror of its own , which is of a quite different variety than the terror of Hitchcock's stalking camera . Whereas Psycho imagines the eye as a sharp , precise instrument which probes into and ...
Síða 92
... opening and closing , fires burning and smoldering . The small stage on which Lingis stood was lined with large peacock - Discourse 22.2 ( Spring 2000 ) : 92-103 . Copyright © 2000 Wayne State University Press , Detroit , Michigan 48201 ...
... opening and closing , fires burning and smoldering . The small stage on which Lingis stood was lined with large peacock - Discourse 22.2 ( Spring 2000 ) : 92-103 . Copyright © 2000 Wayne State University Press , Detroit , Michigan 48201 ...
Efni
Speak Body | 8 |
Valie Exports Invisible Adversaries | 25 |
Feminist Phenomenology | 46 |
Höfundarréttur | |
5 aðrir hlutar ekki sýndir
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Common terms and phrases
Adelheid Arndt Adjoined Dislocations aggression Alfons Alfons's Anna Anna's apparatus Art Informel artists becomes black and white blonde woman bodily camera corporeal counter-surveillance cultural Denham desire Discourse 22.2 Spring dream Empire State Building erotic essay expanded cinema Export's film external female body feminine feminist Feminist Actionism field of vision figure film's Fluxus Freud gaze gender hand Haver Heidegger Heidegger's Hyksos Invisible Adversaries island Jacques Lacan Judith Kaja Silverman King Kong Lacan language Lingis male material metaphor mirror mode movement object Oskar Kokoschka paranoia perception phenomenological philosophical Photo photographic pleasure political position Practice of Love present produced psychic psychoanalytic radical relation representation Roswitha Mueller scene Schimmel Schoedsack Schreber's screen sensational body sense sequence sexual shot simultaneously Skull Island space specular suggests Syntagma tion Touch Cinema Trans Uncanny Valie Export Vienna Viennese Action viewer Visible World visual world picture York