Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 22,Útgáfa 2Indiana University Press, 2000 |
From inside the book
Niðurstöður 1 - 3 af 24
Síða 19
... movements . Even so , it can be thrown into jeopardy if I am not touched often enough . A series of split screen images immediately before the book / video sequence isolate another kind of movement for our scrutiny- the headlong rush of ...
... movements . Even so , it can be thrown into jeopardy if I am not touched often enough . A series of split screen images immediately before the book / video sequence isolate another kind of movement for our scrutiny- the headlong rush of ...
Síða 59
... movement and gesture is clearly inconsequential in terms of its narrative function , its role purely to reflect on the film's representational politics . The scene begins with Alfons walking into the hotel building . As he enters the ...
... movement and gesture is clearly inconsequential in terms of its narrative function , its role purely to reflect on the film's representational politics . The scene begins with Alfons walking into the hotel building . As he enters the ...
Síða 132
... movements , acts , voices and all the qualities that make performance such an ephemeral event.21 But this exhibition maps out a movement whose impact on contemporary art has been as profound as it is irreversible . It points , to quote ...
... movements , acts , voices and all the qualities that make performance such an ephemeral event.21 But this exhibition maps out a movement whose impact on contemporary art has been as profound as it is irreversible . It points , to quote ...
Efni
Speak Body | 8 |
Valie Exports Invisible Adversaries | 25 |
Feminist Phenomenology | 46 |
Höfundarréttur | |
5 aðrir hlutar ekki sýndir
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Common terms and phrases
Adelheid Arndt Adjoined Dislocations aggression Alfons Alfons's Anna Anna's apparatus Art Informel artists becomes black and white blonde woman bodily camera corporeal counter-surveillance cultural Denham desire Discourse 22.2 Spring dream Empire State Building erotic essay expanded cinema Export's film external female body feminine feminist Feminist Actionism field of vision figure film's Fluxus Freud gaze gender hand Haver Heidegger Heidegger's Hyksos Invisible Adversaries island Jacques Lacan Judith Kaja Silverman King Kong Lacan language Lingis male material metaphor mirror mode movement object Oskar Kokoschka paranoia perception phenomenological philosophical Photo photographic pleasure political position Practice of Love present produced psychic psychoanalytic radical relation representation Roswitha Mueller scene Schimmel Schoedsack Schreber's screen sensational body sense sequence sexual shot simultaneously Skull Island space specular suggests Syntagma tion Touch Cinema Trans Uncanny Valie Export Vienna Viennese Action viewer Visible World visual world picture York