Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 22,Útgáfa 2Indiana University Press, 2000 |
From inside the book
Niðurstöður 1 - 3 af 11
Síða 22
... looks into a mirror , and reaches out to touch her reflection . The movements of the woman and her reflection are not synchro- nized ; the mirror image asserts its independence . Here , the tempta- tion might seem strong to think of the ...
... looks into a mirror , and reaches out to touch her reflection . The movements of the woman and her reflection are not synchro- nized ; the mirror image asserts its independence . Here , the tempta- tion might seem strong to think of the ...
Síða 27
... look and captation is attributed to the spectacle . But Export's inversion is also accompanied by an even more radical suggestion : that a degree of agency or activity could be said to inhere in images themselves . Invisible Adversaries ...
... look and captation is attributed to the spectacle . But Export's inversion is also accompanied by an even more radical suggestion : that a degree of agency or activity could be said to inhere in images themselves . Invisible Adversaries ...
Síða 80
... looks at me , ” which reverses into “ I look at him . " But the final permutation of the feminist paranoiac reversal , " I do not see him , " is more difficult to square with a completely sex- positive , liberatory position . Schreber's ...
... looks at me , ” which reverses into “ I look at him . " But the final permutation of the feminist paranoiac reversal , " I do not see him , " is more difficult to square with a completely sex- positive , liberatory position . Schreber's ...
Efni
Speak Body | 8 |
Valie Exports Invisible Adversaries | 25 |
Feminist Phenomenology | 46 |
Höfundarréttur | |
5 aðrir hlutar ekki sýndir
Aðrar útgáfur - View all
Common terms and phrases
Adelheid Arndt Adjoined Dislocations aggression Alfons Alfons's Anna Anna's apparatus Art Informel artists becomes black and white blonde woman bodily camera corporeal counter-surveillance cultural Denham desire Discourse 22.2 Spring dream Empire State Building erotic essay expanded cinema Export's film external female body feminine feminist Feminist Actionism field of vision figure film's Fluxus Freud gaze gender hand Haver Heidegger Heidegger's Hyksos Invisible Adversaries island Jacques Lacan Judith Kaja Silverman King Kong Lacan language Lingis male material metaphor mirror mode movement object Oskar Kokoschka paranoia perception phenomenological philosophical Photo photographic pleasure political position Practice of Love present produced psychic psychoanalytic radical relation representation Roswitha Mueller scene Schimmel Schoedsack Schreber's screen sensational body sense sequence sexual shot simultaneously Skull Island space specular suggests Syntagma tion Touch Cinema Trans Uncanny Valie Export Vienna Viennese Action viewer Visible World visual world picture York