Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 22,Útgáfa 2Indiana University Press, 2000 |
From inside the book
Niðurstöður 1 - 3 af 21
Síða 13
... later in the film there is a similar sequence of shots , and in this sequence the flesh and blood body is not contained within a still photograph . Whereas in the earlier sequence , Export's camera films a photograph of a photograph ...
... later in the film there is a similar sequence of shots , and in this sequence the flesh and blood body is not contained within a still photograph . Whereas in the earlier sequence , Export's camera films a photograph of a photograph ...
Síða 18
... later metaphorizes the duality of the body as a text read in two different languages . This last trope is one to which the film constantly reverts . In an important sequence later in Syntagma , the image of a woman sitting at a table is ...
... later metaphorizes the duality of the body as a text read in two different languages . This last trope is one to which the film constantly reverts . In an important sequence later in Syntagma , the image of a woman sitting at a table is ...
Síða 111
... later worked off and on for the airline industry , other times for the film industry . In the forties and the fifties he produced for John Ford , 14 Ernst B. Schoedsack ( 1893-1979 ) , torn from his home , worked in road construction ...
... later worked off and on for the airline industry , other times for the film industry . In the forties and the fifties he produced for John Ford , 14 Ernst B. Schoedsack ( 1893-1979 ) , torn from his home , worked in road construction ...
Efni
Speak Body | 8 |
Valie Exports Invisible Adversaries | 25 |
Feminist Phenomenology | 46 |
Höfundarréttur | |
5 aðrir hlutar ekki sýndir
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Common terms and phrases
Adelheid Arndt Adjoined Dislocations aggression Alfons Alfons's Anna Anna's apparatus Art Informel artists becomes black and white blonde woman bodily camera corporeal counter-surveillance cultural Denham desire Discourse 22.2 Spring dream Empire State Building erotic essay expanded cinema Export's film external female body feminine feminist Feminist Actionism field of vision figure film's Fluxus Freud gaze gender hand Haver Heidegger Heidegger's Hyksos Invisible Adversaries island Jacques Lacan Judith Kaja Silverman King Kong Lacan language Lingis male material metaphor mirror mode movement object Oskar Kokoschka paranoia perception phenomenological philosophical Photo photographic pleasure political position Practice of Love present produced psychic psychoanalytic radical relation representation Roswitha Mueller scene Schimmel Schoedsack Schreber's screen sensational body sense sequence sexual shot simultaneously Skull Island space specular suggests Syntagma tion Touch Cinema Trans Uncanny Valie Export Vienna Viennese Action viewer Visible World visual world picture York