Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 22,Útgáfa 2Indiana University Press, 2000 |
From inside the book
Niðurstöður 1 - 3 af 44
Síða 12
... hand seemingly reaches into the image , and places itself over the black and white hand . But the illusion that this event happens in film time is quickly dispelled . The flesh - colored hand is transected by the same black crack as its ...
... hand seemingly reaches into the image , and places itself over the black and white hand . But the illusion that this event happens in film time is quickly dispelled . The flesh - colored hand is transected by the same black crack as its ...
Síða 35
... hands we see . In fact we might even wonder whether the flesh - toned hand were not also a flat reproduction , or whether the black - and - white hand were not actually solid and alive . The sequence thus dramatizes the uncertainty that ...
... hands we see . In fact we might even wonder whether the flesh - toned hand were not also a flat reproduction , or whether the black - and - white hand were not actually solid and alive . The sequence thus dramatizes the uncertainty that ...
Síða 67
... hand touching the left hand in a relation of ambiguous reversibility : " When I touch my right hand with my left . . . it is not a matter of two sensations felt together . . . but of an ambiguous set - up in which both hands can ...
... hand touching the left hand in a relation of ambiguous reversibility : " When I touch my right hand with my left . . . it is not a matter of two sensations felt together . . . but of an ambiguous set - up in which both hands can ...
Efni
Speak Body | 8 |
Valie Exports Invisible Adversaries | 25 |
Feminist Phenomenology | 46 |
Höfundarréttur | |
5 aðrir hlutar ekki sýndir
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Common terms and phrases
Adelheid Arndt Adjoined Dislocations aggression Alfons Alfons's Anna Anna's apparatus Art Informel artists becomes black and white blonde woman bodily camera corporeal counter-surveillance cultural Denham desire Discourse 22.2 Spring dream Empire State Building erotic essay expanded cinema Export's film external female body feminine feminist Feminist Actionism field of vision figure film's Fluxus Freud gaze gender hand Haver Heidegger Heidegger's Hyksos Invisible Adversaries island Jacques Lacan Judith Kaja Silverman King Kong Lacan language Lingis male material metaphor mirror mode movement object Oskar Kokoschka paranoia perception phenomenological philosophical Photo photographic pleasure political position Practice of Love present produced psychic psychoanalytic radical relation representation Roswitha Mueller scene Schimmel Schoedsack Schreber's screen sensational body sense sequence sexual shot simultaneously Skull Island space specular suggests Syntagma tion Touch Cinema Trans Uncanny Valie Export Vienna Viennese Action viewer Visible World visual world picture York