Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 22,Útgáfa 2Indiana University Press, 2000 |
From inside the book
Niðurstöður 1 - 3 af 74
Síða 49
... film's final credits calling out a flight departing for Chicago leads us more firmly to believe that Judith is on to a new life away from her country . Even though the film's sexual and political discourses cannot be reduced to a case ...
... film's final credits calling out a flight departing for Chicago leads us more firmly to believe that Judith is on to a new life away from her country . Even though the film's sexual and political discourses cannot be reduced to a case ...
Síða 108
... film about a gigantic , prehistoric , destructive monster . Such films were numerous in the fifties in the USA and Japan . These films point to the reason behind their great numbers in their obvious interpretation : monsters come from ...
... film about a gigantic , prehistoric , destructive monster . Such films were numerous in the fifties in the USA and Japan . These films point to the reason behind their great numbers in their obvious interpretation : monsters come from ...
Síða 109
... film as his own , once and for all and to exclude any other.11 The myth found in the traditional fairytale , in this context , is changed . The monster , the animal , is not saved or changed through the woman's love ; nor is it saved by ...
... film as his own , once and for all and to exclude any other.11 The myth found in the traditional fairytale , in this context , is changed . The monster , the animal , is not saved or changed through the woman's love ; nor is it saved by ...
Efni
Speak Body | 8 |
Valie Exports Invisible Adversaries | 25 |
Feminist Phenomenology | 46 |
Höfundarréttur | |
5 aðrir hlutar ekki sýndir
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Common terms and phrases
Adelheid Arndt Adjoined Dislocations aggression Alfons Alfons's Anna Anna's apparatus Art Informel artists becomes black and white blonde woman bodily camera corporeal counter-surveillance cultural Denham desire Discourse 22.2 Spring dream Empire State Building erotic essay expanded cinema Export's film external female body feminine feminist Feminist Actionism field of vision figure film's Fluxus Freud gaze gender hand Haver Heidegger Heidegger's Hyksos Invisible Adversaries island Jacques Lacan Judith Kaja Silverman King Kong Lacan language Lingis male material metaphor mirror mode movement object Oskar Kokoschka paranoia perception phenomenological philosophical Photo photographic pleasure political position Practice of Love present produced psychic psychoanalytic radical relation representation Roswitha Mueller scene Schimmel Schoedsack Schreber's screen sensational body sense sequence sexual shot simultaneously Skull Island space specular suggests Syntagma tion Touch Cinema Trans Uncanny Valie Export Vienna Viennese Action viewer Visible World visual world picture York