Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 22,Útgáfa 2Indiana University Press, 2000 |
From inside the book
Niðurstöður 1 - 3 af 13
Síða 15
... distance from their mirror reflections . In certain situations , the adult subject can also become aware once again of the gap separating his or her sensational body from the corporeal image . This is a normal feature , for instance ...
... distance from their mirror reflections . In certain situations , the adult subject can also become aware once again of the gap separating his or her sensational body from the corporeal image . This is a normal feature , for instance ...
Síða 53
... distance , touch to opacity and proximity " ( 131-132 ) . The blurred close - ups of bodily surfaces and shapes seen here by the viewer are akin to those she might see when intimately involved with another body . We are thus encouraged ...
... distance , touch to opacity and proximity " ( 131-132 ) . The blurred close - ups of bodily surfaces and shapes seen here by the viewer are akin to those she might see when intimately involved with another body . We are thus encouraged ...
Síða 64
... distance that becomes “ a way of overcoming the radical otherness of the self ” ( 54–55 ) . In The Practice of Love , the distance required for the exercise of a contemplative gaze is achieved through the film's presentation of Judith ...
... distance that becomes “ a way of overcoming the radical otherness of the self ” ( 54–55 ) . In The Practice of Love , the distance required for the exercise of a contemplative gaze is achieved through the film's presentation of Judith ...
Efni
Speak Body | 8 |
Valie Exports Invisible Adversaries | 25 |
Feminist Phenomenology | 46 |
Höfundarréttur | |
5 aðrir hlutar ekki sýndir
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Adelheid Arndt Adjoined Dislocations aggression Alfons Alfons's Anna Anna's apparatus Art Informel artists becomes black and white blonde woman bodily camera corporeal counter-surveillance cultural Denham desire Discourse 22.2 Spring dream Empire State Building erotic essay expanded cinema Export's film external female body feminine feminist Feminist Actionism field of vision figure film's Fluxus Freud gaze gender hand Haver Heidegger Heidegger's Hyksos Invisible Adversaries island Jacques Lacan Judith Kaja Silverman King Kong Lacan language Lingis male material metaphor mirror mode movement object Oskar Kokoschka paranoia perception phenomenological philosophical Photo photographic pleasure political position Practice of Love present produced psychic psychoanalytic radical relation representation Roswitha Mueller scene Schimmel Schoedsack Schreber's screen sensational body sense sequence sexual shot simultaneously Skull Island space specular suggests Syntagma tion Touch Cinema Trans Uncanny Valie Export Vienna Viennese Action viewer Visible World visual world picture York