Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 22,Útgáfa 2Indiana University Press, 2000 |
From inside the book
Niðurstöður 1 - 3 af 17
Síða 10
... corporeal representation which does not have real effects . Like the hands at the beginning of Syntagma , the body which is the center of my world is simultaneously flesh and signifier . And , while representational in consistency , the ...
... corporeal representation which does not have real effects . Like the hands at the beginning of Syntagma , the body which is the center of my world is simultaneously flesh and signifier . And , while representational in consistency , the ...
Síða 15
... corporeal feelings.7 Schilder and Wallon agree that this sensational body can never really be “ one ” with the image that we are for ourselves and others . The two bodies can be only imaginarily stitched together , and even then only ...
... corporeal feelings.7 Schilder and Wallon agree that this sensational body can never really be “ one ” with the image that we are for ourselves and others . The two bodies can be only imaginarily stitched together , and even then only ...
Síða 22
... corporeal real which has in- formed both sides of the essentialism debate , by suggesting another and more complex account of female corporeality . This sequence consists of a series of shots in which the blonde woman looks into a ...
... corporeal real which has in- formed both sides of the essentialism debate , by suggesting another and more complex account of female corporeality . This sequence consists of a series of shots in which the blonde woman looks into a ...
Efni
Speak Body | 8 |
Valie Exports Invisible Adversaries | 25 |
Feminist Phenomenology | 46 |
Höfundarréttur | |
5 aðrir hlutar ekki sýndir
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Common terms and phrases
Adelheid Arndt Adjoined Dislocations aggression Alfons Alfons's Anna Anna's apparatus Art Informel artists becomes black and white blonde woman bodily camera corporeal counter-surveillance cultural Denham desire Discourse 22.2 Spring dream Empire State Building erotic essay expanded cinema Export's film external female body feminine feminist Feminist Actionism field of vision figure film's Fluxus Freud gaze gender hand Haver Heidegger Heidegger's Hyksos Invisible Adversaries island Jacques Lacan Judith Kaja Silverman King Kong Lacan language Lingis male material metaphor mirror mode movement object Oskar Kokoschka paranoia perception phenomenological philosophical Photo photographic pleasure political position Practice of Love present produced psychic psychoanalytic radical relation representation Roswitha Mueller scene Schimmel Schoedsack Schreber's screen sensational body sense sequence sexual shot simultaneously Skull Island space specular suggests Syntagma tion Touch Cinema Trans Uncanny Valie Export Vienna Viennese Action viewer Visible World visual world picture York