Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 22,Útgáfa 2Indiana University Press, 2000 |
From inside the book
Niðurstöður 1 - 3 af 34
Síða 26
Berkeley Journal for Theoretical Studies in Media and Culture. the camera begins wide and hones into increasingly narrow spaces , finally to invade Marion's private chambers . In Invisible Adversaries , by contrast , the camera starts in ...
Berkeley Journal for Theoretical Studies in Media and Culture. the camera begins wide and hones into increasingly narrow spaces , finally to invade Marion's private chambers . In Invisible Adversaries , by contrast , the camera starts in ...
Síða 27
... camera's eye , is fictive and unstable . The film thus inverts the conventional paradigm of spectatorial relations which feminist film theory has critiqued , where control seems to reside with the look and captation is attributed to the ...
... camera's eye , is fictive and unstable . The film thus inverts the conventional paradigm of spectatorial relations which feminist film theory has critiqued , where control seems to reside with the look and captation is attributed to the ...
Síða 59
... camera tenta- tively continues to frame what we assume to be Alfons's ambulatory perspective . Yet , against our expectations , as the camera comes to rest outside a bedroom door , it is Judith's entrance into that room that we are ...
... camera tenta- tively continues to frame what we assume to be Alfons's ambulatory perspective . Yet , against our expectations , as the camera comes to rest outside a bedroom door , it is Judith's entrance into that room that we are ...
Efni
Speak Body | 8 |
Valie Exports Invisible Adversaries | 25 |
Feminist Phenomenology | 46 |
Höfundarréttur | |
5 aðrir hlutar ekki sýndir
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Common terms and phrases
Adelheid Arndt Adjoined Dislocations aggression Alfons Alfons's Anna Anna's apparatus Art Informel artists becomes black and white blonde woman bodily camera corporeal counter-surveillance cultural Denham desire Discourse 22.2 Spring dream Empire State Building erotic essay expanded cinema Export's film external female body feminine feminist Feminist Actionism field of vision figure film's Fluxus Freud gaze gender hand Haver Heidegger Heidegger's Hyksos Invisible Adversaries island Jacques Lacan Judith Kaja Silverman King Kong Lacan language Lingis male material metaphor mirror mode movement object Oskar Kokoschka paranoia perception phenomenological philosophical Photo photographic pleasure political position Practice of Love present produced psychic psychoanalytic radical relation representation Roswitha Mueller scene Schimmel Schoedsack Schreber's screen sensational body sense sequence sexual shot simultaneously Skull Island space specular suggests Syntagma tion Touch Cinema Trans Uncanny Valie Export Vienna Viennese Action viewer Visible World visual world picture York