Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 22,Útgáfa 2Indiana University Press, 2000 |
From inside the book
Niðurstöður 1 - 3 af 31
Síða 80
... becomes an objective threat ) is itself reversed in Export's cinema piece . Already a material object in space , Export begins Touch Cinema with the proposition “ he looks at me , ” which reverses into “ I look at him . " But the final ...
... becomes an objective threat ) is itself reversed in Export's cinema piece . Already a material object in space , Export begins Touch Cinema with the proposition “ he looks at me , ” which reverses into “ I look at him . " But the final ...
Síða 84
... becomes itself a function of that space . Export describes this process as follows : In this way " what is demonstrated is not only the investigation of the environment on film but a film of the investigation of the environment through ...
... becomes itself a function of that space . Export describes this process as follows : In this way " what is demonstrated is not only the investigation of the environment on film but a film of the investigation of the environment through ...
Síða 117
... becomes distant . Among the numerous symmetries that appear in the film , and which make it so intriguing , the most important is that of the distant island and New York , of Skull Island and Manhattan.27 “ Our first view of Skull ...
... becomes distant . Among the numerous symmetries that appear in the film , and which make it so intriguing , the most important is that of the distant island and New York , of Skull Island and Manhattan.27 “ Our first view of Skull ...
Efni
Speak Body | 8 |
Valie Exports Invisible Adversaries | 25 |
Feminist Phenomenology | 46 |
Höfundarréttur | |
5 aðrir hlutar ekki sýndir
Aðrar útgáfur - View all
Common terms and phrases
Adelheid Arndt Adjoined Dislocations aggression Alfons Alfons's Anna Anna's apparatus Art Informel artists becomes black and white blonde woman bodily camera corporeal counter-surveillance cultural Denham desire Discourse 22.2 Spring dream Empire State Building erotic essay expanded cinema Export's film external female body feminine feminist Feminist Actionism field of vision figure film's Fluxus Freud gaze gender hand Haver Heidegger Heidegger's Hyksos Invisible Adversaries island Jacques Lacan Judith Kaja Silverman King Kong Lacan language Lingis male material metaphor mirror mode movement object Oskar Kokoschka paranoia perception phenomenological philosophical Photo photographic pleasure political position Practice of Love present produced psychic psychoanalytic radical relation representation Roswitha Mueller scene Schimmel Schoedsack Schreber's screen sensational body sense sequence sexual shot simultaneously Skull Island space specular suggests Syntagma tion Touch Cinema Trans Uncanny Valie Export Vienna Viennese Action viewer Visible World visual world picture York