Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 22,Útgáfa 2Indiana University Press, 2000 |
From inside the book
Niðurstöður 1 - 3 af 23
Síða 80
... cinema piece . Already a material object in space , Export begins Touch Cinema with the proposition “ he looks at me , ” which reverses into “ I look at him . " But the final permutation of the feminist paranoiac reversal , " I do not ...
... cinema piece . Already a material object in space , Export begins Touch Cinema with the proposition “ he looks at me , ” which reverses into “ I look at him . " But the final permutation of the feminist paranoiac reversal , " I do not ...
Síða 81
... Cinema , but this seeing is the reversal of a paranoid recognition that without Touch Cinema , unexpected " cinemagoers ” would not be visible . The radical character of this expanded cinema work , I con- tend , is precisely that it ...
... Cinema , but this seeing is the reversal of a paranoid recognition that without Touch Cinema , unexpected " cinemagoers ” would not be visible . The radical character of this expanded cinema work , I con- tend , is precisely that it ...
Síða 91
... Cinema . " Eds . Leo Charney and Vanessa Schwartz . Cinema and the Invention of Modern Life . Berkeley : University of California Press , 1995. 15-45 . Heidegger , Martin . " The Age of the World Picture . " ( 1952 ) . William Lovitt ...
... Cinema . " Eds . Leo Charney and Vanessa Schwartz . Cinema and the Invention of Modern Life . Berkeley : University of California Press , 1995. 15-45 . Heidegger , Martin . " The Age of the World Picture . " ( 1952 ) . William Lovitt ...
Efni
Speak Body | 8 |
Valie Exports Invisible Adversaries | 25 |
Feminist Phenomenology | 46 |
Höfundarréttur | |
5 aðrir hlutar ekki sýndir
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Common terms and phrases
Adelheid Arndt Adjoined Dislocations aggression Alfons Alfons's Anna Anna's apparatus Art Informel artists becomes black and white blonde woman bodily camera corporeal counter-surveillance cultural Denham desire Discourse 22.2 Spring dream Empire State Building erotic essay expanded cinema Export's film external female body feminine feminist Feminist Actionism field of vision figure film's Fluxus Freud gaze gender hand Haver Heidegger Heidegger's Hyksos Invisible Adversaries island Jacques Lacan Judith Kaja Silverman King Kong Lacan language Lingis male material metaphor mirror mode movement object Oskar Kokoschka paranoia perception phenomenological philosophical Photo photographic pleasure political position Practice of Love present produced psychic psychoanalytic radical relation representation Roswitha Mueller scene Schimmel Schoedsack Schreber's screen sensational body sense sequence sexual shot simultaneously Skull Island space specular suggests Syntagma tion Touch Cinema Trans Uncanny Valie Export Vienna Viennese Action viewer Visible World visual world picture York