Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 22,Útgáfa 2Indiana University Press, 2000 |
From inside the book
Niðurstöður 1 - 3 af 8
Síða 58
... Alfons represent the narrativized counterpart of the film's abstract opening images , which , even while unequivocally showing certain parts of the female anatomy at times , seem nevertheless invested in saturating their seamless ...
... Alfons represent the narrativized counterpart of the film's abstract opening images , which , even while unequivocally showing certain parts of the female anatomy at times , seem nevertheless invested in saturating their seamless ...
Síða 59
... Alfons and Judith as they each separately walk towards and enter a hotel room where they are appointed to meet . Leading up to a brief encounter between the lovers , this nonetheless prolonged display of movement and gesture is clearly ...
... Alfons and Judith as they each separately walk towards and enter a hotel room where they are appointed to meet . Leading up to a brief encounter between the lovers , this nonetheless prolonged display of movement and gesture is clearly ...
Síða 60
... Alfons's point of view . As Alfons answers the phone , his reinscription in the scene at a moment when we have been led to identify with Judith's point of view cannot fail to reinforce the scene's disjunctive economy of space , time ...
... Alfons's point of view . As Alfons answers the phone , his reinscription in the scene at a moment when we have been led to identify with Judith's point of view cannot fail to reinforce the scene's disjunctive economy of space , time ...
Efni
Speak Body | 8 |
Valie Exports Invisible Adversaries | 25 |
Feminist Phenomenology | 46 |
Höfundarréttur | |
5 aðrir hlutar ekki sýndir
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Common terms and phrases
Adelheid Arndt Adjoined Dislocations aggression Alfons Alfons's Anna Anna's apparatus Art Informel artists becomes black and white blonde woman bodily camera corporeal counter-surveillance cultural Denham desire Discourse 22.2 Spring dream Empire State Building erotic essay expanded cinema Export's film external female body feminine feminist Feminist Actionism field of vision figure film's Fluxus Freud gaze gender hand Haver Heidegger Heidegger's Hyksos Invisible Adversaries island Jacques Lacan Judith Kaja Silverman King Kong Lacan language Lingis male material metaphor mirror mode movement object Oskar Kokoschka paranoia perception phenomenological philosophical Photo photographic pleasure political position Practice of Love present produced psychic psychoanalytic radical relation representation Roswitha Mueller scene Schimmel Schoedsack Schreber's screen sensational body sense sequence sexual shot simultaneously Skull Island space specular suggests Syntagma tion Touch Cinema Trans Uncanny Valie Export Vienna Viennese Action viewer Visible World visual world picture York