Discourse, Bindi 13Indiana University Press, 1990 |
From inside the book
Niðurstöður 1 - 3 af 66
Síða 60
... male subjectivity . They assume that the male spectator is not only heterosexual but unambigu- ously so and limit the possibility of occupying multiple identifica- tory positions to the female spectator . ' Consequently , they tend to ...
... male subjectivity . They assume that the male spectator is not only heterosexual but unambigu- ously so and limit the possibility of occupying multiple identifica- tory positions to the female spectator . ' Consequently , they tend to ...
Síða 62
... male spectator's " feminine attitude " toward the father dur- ing the pre - Oedipal phase and therefore encourages the forma- tion of a polymorphous rather than a fixed heterosexual identity . Obviously , Hitchcock's films must limit ...
... male spectator's " feminine attitude " toward the father dur- ing the pre - Oedipal phase and therefore encourages the forma- tion of a polymorphous rather than a fixed heterosexual identity . Obviously , Hitchcock's films must limit ...
Síða 140
... male and female spectatorship may have a bearing : 1 ) To what extent is the gaze Petro describes thoroughly restricted to women ? How might the contemplative gaze she ascribes to melodrama have functioned for a male spectator subjected ...
... male and female spectatorship may have a bearing : 1 ) To what extent is the gaze Petro describes thoroughly restricted to women ? How might the contemplative gaze she ascribes to melodrama have functioned for a male spectator subjected ...
Efni
Introduction | 3 |
A Dossier a Performance Piece a LittleUnderstood Emotion | 12 |
The Language of Expression on Natures Stage | 40 |
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