Discourse, Bindi 13Indiana University Press, 1990 |
From inside the book
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Síða 126
... Modleski's The Women Who Knew Too Much : Hitchcock and Feminist Theory has become one of those touchstone critical projects central to feminism because the book addresses questions of interpretation that affect all of us who are engaged ...
... Modleski's The Women Who Knew Too Much : Hitchcock and Feminist Theory has become one of those touchstone critical projects central to feminism because the book addresses questions of interpretation that affect all of us who are engaged ...
Síða 127
Modleski's aims and strategies are certainly not geared to redeem Hitchcock politically ; neither do these interpretations spiral into the ambiguity of certain kinds of deconstruction which would spin all political meaning into eternal ...
Modleski's aims and strategies are certainly not geared to redeem Hitchcock politically ; neither do these interpretations spiral into the ambiguity of certain kinds of deconstruction which would spin all political meaning into eternal ...
Síða 129
... Modleski seems committed to a clear and readable prose which , sadly , is remarkable for contemporary film theory and feminist theory in general . In a recent essay in October , Modleski reminds us that the centrality of Virginia Woolf ...
... Modleski seems committed to a clear and readable prose which , sadly , is remarkable for contemporary film theory and feminist theory in general . In a recent essay in October , Modleski reminds us that the centrality of Virginia Woolf ...
Efni
Introduction | 3 |
A Dossier a Performance Piece a LittleUnderstood Emotion | 12 |
The Language of Expression on Natures Stage | 40 |
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