Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Útgáfur 6-9Indiana University Press, 1979 |
From inside the book
Niðurstöður 1 - 3 af 79
Síða 36
... position outside of history , as a kind of blank page , upon which such a collapse is written . The film is full of performances within the film , full of scenes structured by variations on the theme of woman as object of spectacle . 11 ...
... position outside of history , as a kind of blank page , upon which such a collapse is written . The film is full of performances within the film , full of scenes structured by variations on the theme of woman as object of spectacle . 11 ...
Síða 102
... position with a position of knowledge ( knowledge defined instrumentally as that which serves the interests of a given class : " the dominant ideas of the age are usually the ideas of those who dominate " ) . But insofar as Brecht ...
... position with a position of knowledge ( knowledge defined instrumentally as that which serves the interests of a given class : " the dominant ideas of the age are usually the ideas of those who dominate " ) . But insofar as Brecht ...
Síða 110
... position of women among the post - 68 left , or the relation of exper- ience to knowledge in the sphere of politics ... position : the position of a feminism struggling to achieve an alliance with Marxism . 20 At the same time , there is ...
... position of women among the post - 68 left , or the relation of exper- ience to knowledge in the sphere of politics ... position : the position of a feminism struggling to achieve an alliance with Marxism . 20 At the same time , there is ...
Efni
About Our Contributors | 3 |
Helke Sander and the Will to Change | 10 |
The Power of the Narrator in Modernist | 31 |
Höfundarréttur | |
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Achternbusch Algiers American appears become body Buenos Aires called camera character cinema close comes communication completely concerned construction context critical cultural death desire diegesis discourse discussion dominant effect example existence experience eyes fact feel female feminist fiction figure film filmmakers function gaze German give hand human identity imaginary issue Kluge language less literature live look male Marxism material meaning memory mode move movement narrative narrator nature never nuclear object opposition organism performance person play political position possible postmodern practice present problem production provides question referent relation relationship remains represent representation seems seen sense separation sexual situation social sound space speak spectator speech story structure suggests symbolic theory tion traditional turn University voice whole woman women writing York