Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Útgáfur 6-9Indiana University Press, 1979 |
From inside the book
Niðurstöður 1 - 3 af 69
Síða 14
... hand - held camera , and another the third - person voice - over . The dramatized or fiction footage , which constitutes the major part of the film , is shot almost entirely in hand - held camera . This is of course a camera style we ...
... hand - held camera , and another the third - person voice - over . The dramatized or fiction footage , which constitutes the major part of the film , is shot almost entirely in hand - held camera . This is of course a camera style we ...
Síða 27
... hand , emblem of left - wing anarchism , and a photographic memorial to Dutschke , who died in 1980 of injuries suffered as a result of a right - wing assassination attempt in 1968 - an attempt which was largely inspired by the Springer ...
... hand , emblem of left - wing anarchism , and a photographic memorial to Dutschke , who died in 1980 of injuries suffered as a result of a right - wing assassination attempt in 1968 - an attempt which was largely inspired by the Springer ...
Síða 26
... hand , i play into the Savior's hands by concentrating on authenticity , for my attention is numbed by it and diverted from other , important issues ; on the other hand , i do feel the necessity to return to my so - called roots , since ...
... hand , i play into the Savior's hands by concentrating on authenticity , for my attention is numbed by it and diverted from other , important issues ; on the other hand , i do feel the necessity to return to my so - called roots , since ...
Efni
About Our Contributors | 3 |
Helke Sander and the Will to Change | 10 |
The Power of the Narrator in Modernist | 31 |
Höfundarréttur | |
3 aðrir hlutar ekki sýndir
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Achternbusch Algiers American appears become body Buenos Aires called camera character cinema close comes communication completely concerned construction context critical cultural death desire diegesis discourse discussion dominant effect example existence experience eyes fact feel female feminist fiction figure film filmmakers function gaze German give hand human identity imaginary issue Kluge language less literature live look male Marxism material meaning memory mode move movement narrative narrator nature never nuclear object opposition organism performance person play political position possible postmodern practice present problem production provides question referent relation relationship remains represent representation seems seen sense separation sexual situation social sound space speak spectator speech story structure suggests symbolic theory tion traditional turn University voice whole woman women writing York