Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Útgáfur 6-9Indiana University Press, 1979 |
From inside the book
Niðurstöður 1 - 3 af 25
Síða 42
... Diegesis and referent , or the question of the relationships be- tween film and reality . As defined by Souriau in the late forties , and much elaborated by such scholars as Dominique Château , 1 the con- cept of diegesis involves the ...
... Diegesis and referent , or the question of the relationships be- tween film and reality . As defined by Souriau in the late forties , and much elaborated by such scholars as Dominique Château , 1 the con- cept of diegesis involves the ...
Síða 48
... diegesis and the enunciation . Of course , it should be clear that the very notion of ' diegesis ' is not absolutely relevant here , not so much because of the complexity of this embedding of sequences within each other ( after all ...
... diegesis and the enunciation . Of course , it should be clear that the very notion of ' diegesis ' is not absolutely relevant here , not so much because of the complexity of this embedding of sequences within each other ( after all ...
Síða 105
... diegetic functions have done more than any other ' deconstructive ' counter- strategy to challenge the traditional identification of diegesis with narrative , and narrative with a linear deployment of binary oppositions . The strategy ...
... diegetic functions have done more than any other ' deconstructive ' counter- strategy to challenge the traditional identification of diegesis with narrative , and narrative with a linear deployment of binary oppositions . The strategy ...
Efni
About Our Contributors | 3 |
Helke Sander and the Will to Change | 10 |
The Power of the Narrator in Modernist | 31 |
Höfundarréttur | |
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Common terms and phrases
Achternbusch Algiers American appears become body Buenos Aires called camera character cinema close comes communication completely concerned construction context critical cultural death desire diegesis discourse discussion dominant effect example existence experience eyes fact feel female feminist fiction figure film filmmakers function gaze German give hand human identity imaginary issue Kluge language less literature live look male Marxism material meaning memory mode move movement narrative narrator nature never nuclear object opposition organism performance person play political position possible postmodern practice present problem production provides question referent relation relationship remains represent representation seems seen sense separation sexual situation social sound space speak spectator speech story structure suggests symbolic theory tion traditional turn University voice whole woman women writing York