Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 25,Útgáfa 32003 |
From inside the book
Niðurstöður 1 - 3 af 16
Síða 18
... speak for ( and are the only ones who can speak to ) their own dead . Romantic conventions such as apostrophe and elegy serve not to mark and represent death , but instead to cheat death and keep the object of the poem alive in a web of ...
... speak for ( and are the only ones who can speak to ) their own dead . Romantic conventions such as apostrophe and elegy serve not to mark and represent death , but instead to cheat death and keep the object of the poem alive in a web of ...
Síða 38
... speak through the wound . " Furthermore , Campobello's idiosyncratic use of language also allows the author to speak about the violence of the revolution without , to use Hans- sen's terms , mimetically reproducing its calamitous ...
... speak through the wound . " Furthermore , Campobello's idiosyncratic use of language also allows the author to speak about the violence of the revolution without , to use Hans- sen's terms , mimetically reproducing its calamitous ...
Síða 79
... speak to the economic imbalance and the social injustice equally perpetuated by both conservative and liberal elites ... speaking , of the long- standing notion of national community . Furthermore , the novel highlights the fact that ...
... speak to the economic imbalance and the social injustice equally perpetuated by both conservative and liberal elites ... speaking , of the long- standing notion of national community . Furthermore , the novel highlights the fact that ...
Efni
The Modern Disillusioned War Poet | 9 |
Gendered Narratives of Revolution | 30 |
Sade on Pontecorvo | 48 |
Höfundarréttur | |
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Common terms and phrases
Adorno Algerian woman American American Civil War analysis argue Assassins Battle of Algiers battlefield bleep body bombs boudoir Bourdieu Brandy Campobello's Cartucho Colombia colonial corpse critical cultural dead death democracy democratic Dialectic Dialectic of Enlightenment discourse Djamila Bouhired Dolmancé domination Drum-Taps emotional ence Enlightenment Eugénie Eugénie's experience Fanon Fernando's film Franco Freaks Talk Back French Freudian Gamson gender genre guests Hardt Horkheimer instrumental intellectual Jerry Springer Show Jerry's language Leaves of Grass León Marquis de Sade means Medellín Mistival mother narrative narrator Negri Nellie novel Oprah Winfrey Show performance pleasure poems poet poetic poetry political Pontecorvo public voice rape reciprocal relation representation reveals revolution role Saadi Sade Sade's scene Scorned Lovers sexual short story show's silence social society soldier space speech studio audience symbolic tabloid talk talk show television texts tion Trans trauma veil Vigil violence vision Walt Whitman Whitman women Wound-Dresser wounded writing