Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 26Indiana University Press, 2004 |
From inside the book
Niðurstöður 1 - 3 af 34
Síða 60
... urban disaster became more pro- nounced . Néstor García Canclini traces to 1980 the origins of the three main processes that motivate the restructuring of urban spaces up to the late 1990s : economic recession and the subse- quent loss ...
... urban disaster became more pro- nounced . Néstor García Canclini traces to 1980 the origins of the three main processes that motivate the restructuring of urban spaces up to the late 1990s : economic recession and the subse- quent loss ...
Síða 63
... urban dwellers ( his subjects , who do not think structurally ) and urban researchers ( who do think structurally , even as they reject . totalizing maps ) . However , in Aguilar Mora's , Ramírez's , Fuentes's , and Blanco's literary ...
... urban dwellers ( his subjects , who do not think structurally ) and urban researchers ( who do think structurally , even as they reject . totalizing maps ) . However , in Aguilar Mora's , Ramírez's , Fuentes's , and Blanco's literary ...
Síða 81
... urban cinema of 21st century Mexico offers intriguing similarities with the prose works I have discussed here . The com- mercial success of films like Amores perros and Y tu mamá también has made them emblematic of popular Mexican urban ...
... urban cinema of 21st century Mexico offers intriguing similarities with the prose works I have discussed here . The com- mercial success of films like Amores perros and Y tu mamá también has made them emblematic of popular Mexican urban ...
Efni
Culture Monopolies and Mexican Cinema A | 5 |
19892004 | 26 |
No Contest | 46 |
Höfundarréttur | |
18 aðrir hlutar ekki sýndir
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aesthetic Amores perros argues artistic audience Buñuel camera Carlos Carlos Fuentes Cecilia characters civil contemporary couples Court critical Cronos CRUZ The University cultural Danzón desire director discourse essay fantasy feminism feminist film's Fluxus Fluxwedding Fuentes gay marriage gays and lesbians gender globalization Guillermo heteronormative heterosexual homosexual identity intimacy José Juan Juan García Ponce La Malinche Latin American lesbian lesbian and gay ley de Herodes Los olvidados male Malinche mamá María María Félix married Melodrama ment Mexican cinema Mexican film Mexico City México D.F. Mormon mother movie narrative narrator Nate Niña Chole novel PACS political polygamy popular production protagonist provincia Queer question relation relationship riage Roberto role romance same-sex marriage Santa Julia scene sexual social society sodomy space Spanish spectator status story symbolic Tajimara Tigre de Santa tion traditional urban wedding woman women writes Zapata