Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 26Indiana University Press, 2004 |
From inside the book
Niðurstöður 1 - 3 af 77
Síða 81
... sense . The most repeated visual image of Amores perros is the danger- ous intersection where three separate stories ... sense of urban disunity established by the film's frenetic cinematography and the sense that no mastery over urban ...
... sense . The most repeated visual image of Amores perros is the danger- ous intersection where three separate stories ... sense of urban disunity established by the film's frenetic cinematography and the sense that no mastery over urban ...
Síða 187
... sense what everyone senses first ' . ( 95 ) One of Lyotard's aims is to reserve the unharmonizable , espe- cially in the face of the sense - making machinery of reason . When we think of the political impulses underwriting the ...
... sense what everyone senses first ' . ( 95 ) One of Lyotard's aims is to reserve the unharmonizable , espe- cially in the face of the sense - making machinery of reason . When we think of the political impulses underwriting the ...
Síða
... sense what everyone senses first ' . ( 95 ) One of Lyotard's aims is to reserve the unharmonizable , espe- cially in the face of the sense - making machinery of reason . When we think of the political impulses underwriting the ...
... sense what everyone senses first ' . ( 95 ) One of Lyotard's aims is to reserve the unharmonizable , espe- cially in the face of the sense - making machinery of reason . When we think of the political impulses underwriting the ...
Efni
Culture Monopolies and Mexican Cinema A | 5 |
19892004 | 26 |
No Contest | 46 |
Höfundarréttur | |
18 aðrir hlutar ekki sýndir
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aesthetic Amores perros argues artistic audience Buñuel camera Carlos Carlos Fuentes Cecilia characters civil contemporary couples Court critical Cronos CRUZ The University cultural Danzón desire director discourse essay fantasy feminism feminist film's Fluxus Fluxwedding Fuentes gay marriage gays and lesbians gender globalization Guillermo heteronormative heterosexual homosexual identity intimacy José Juan Juan García Ponce La Malinche Latin American lesbian lesbian and gay ley de Herodes Los olvidados male Malinche mamá María María Félix married Melodrama ment Mexican cinema Mexican film Mexico City México D.F. Mormon mother movie narrative narrator Nate Niña Chole novel PACS political polygamy popular production protagonist provincia Queer question relation relationship riage Roberto role romance same-sex marriage Santa Julia scene sexual social society sodomy space Spanish spectator status story symbolic Tajimara Tigre de Santa tion traditional urban wedding woman women writes Zapata