Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 26Indiana University Press, 2004 |
From inside the book
Niðurstöður 1 - 3 af 51
Síða 45
... ment . No mention of NAFTA is made in the spots . Works Cited Ayala Blanco , Jorge . La aventura del cine mexicano ( 1931–1967 ) . 1968. Méx- ico D.F .: Editorial Posada , 1985 . Asesino en serio . Dir . Antonio Urrutia . Screenplay by ...
... ment . No mention of NAFTA is made in the spots . Works Cited Ayala Blanco , Jorge . La aventura del cine mexicano ( 1931–1967 ) . 1968. Méx- ico D.F .: Editorial Posada , 1985 . Asesino en serio . Dir . Antonio Urrutia . Screenplay by ...
Síða 216
... ment ) the couple have great difficulties making love and keeping a minimal sense of privacy and dignity . While in Amores perros , the car accident provides the connec- tions between the three episodes , in El Chacotero Sentimental it ...
... ment ) the couple have great difficulties making love and keeping a minimal sense of privacy and dignity . While in Amores perros , the car accident provides the connec- tions between the three episodes , in El Chacotero Sentimental it ...
Síða 101
... ment - would not , of course , actually threaten anyone's marriage or lead to social anarchy . Nor would it deny others ' privileges and protections . Unlike capitalist competition , battles for civil rights are not a zero - sum game ...
... ment - would not , of course , actually threaten anyone's marriage or lead to social anarchy . Nor would it deny others ' privileges and protections . Unlike capitalist competition , battles for civil rights are not a zero - sum game ...
Efni
Culture Monopolies and Mexican Cinema A | 5 |
19892004 | 26 |
No Contest | 46 |
Höfundarréttur | |
18 aðrir hlutar ekki sýndir
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aesthetic Amores perros argues artistic audience Buñuel camera Carlos Carlos Fuentes Cecilia characters civil contemporary couples Court critical Cronos CRUZ The University cultural Danzón desire director discourse essay fantasy feminism feminist film's Fluxus Fluxwedding Fuentes gay marriage gays and lesbians gender globalization Guillermo heteronormative heterosexual homosexual identity intimacy José Juan Juan García Ponce La Malinche Latin American lesbian lesbian and gay ley de Herodes Los olvidados male Malinche mamá María María Félix married Melodrama ment Mexican cinema Mexican film Mexico City México D.F. Mormon mother movie narrative narrator Nate Niña Chole novel PACS political polygamy popular production protagonist provincia Queer question relation relationship riage Roberto role romance same-sex marriage Santa Julia scene sexual social society sodomy space Spanish spectator status story symbolic Tajimara Tigre de Santa tion traditional urban wedding woman women writes Zapata