Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 26Indiana University Press, 2004 |
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Síða 39
... mamá también uses voice - over to complicate aspects of the visual narration and to wrap up the film . However , in Y tu mamá también the voice - over does not follow the pattern of the other two films . Rather than contradict the ...
... mamá también uses voice - over to complicate aspects of the visual narration and to wrap up the film . However , in Y tu mamá también the voice - over does not follow the pattern of the other two films . Rather than contradict the ...
Síða 41
... mamá también then , provincia functions as a picturesque national space that the capital dwellers often ignore , occasionally visit , and generally control . Provincia in Y tu mamá también does not match the evasion of a specific ...
... mamá también then , provincia functions as a picturesque national space that the capital dwellers often ignore , occasionally visit , and generally control . Provincia in Y tu mamá también does not match the evasion of a specific ...
Síða 42
... mamá también imagines Mexico as a stable country with provincial social problems under the control of a centralist government in Mexico City . Said government does not make good on the conventionally imagined promise of social freedom ...
... mamá también imagines Mexico as a stable country with provincial social problems under the control of a centralist government in Mexico City . Said government does not make good on the conventionally imagined promise of social freedom ...
Efni
Culture Monopolies and Mexican Cinema A | 5 |
19892004 | 26 |
No Contest | 46 |
Höfundarréttur | |
18 aðrir hlutar ekki sýndir
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aesthetic Amores perros argues artistic audience Buñuel camera Carlos Carlos Fuentes Cecilia characters civil contemporary couples Court critical Cronos CRUZ The University cultural Danzón desire director discourse essay fantasy feminism feminist film's Fluxus Fluxwedding Fuentes gay marriage gays and lesbians gender globalization Guillermo heteronormative heterosexual homosexual identity intimacy José Juan Juan García Ponce La Malinche Latin American lesbian lesbian and gay ley de Herodes Los olvidados male Malinche mamá María María Félix married Melodrama ment Mexican cinema Mexican film Mexico City México D.F. Mormon mother movie narrative narrator Nate Niña Chole novel PACS political polygamy popular production protagonist provincia Queer question relation relationship riage Roberto role romance same-sex marriage Santa Julia scene sexual social society sodomy space Spanish spectator status story symbolic Tajimara Tigre de Santa tion traditional urban wedding woman women writes Zapata