Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 26Indiana University Press, 2004 |
From inside the book
Niðurstöður 1 - 3 af 92
Síða 52
... film . The only thing left is television , where they show Mexican films that had an enormous success in the past and their present - day equivalent : soap operas . There is no longer any such thing as popular cinema for Mexico . The cinema ...
... film . The only thing left is television , where they show Mexican films that had an enormous success in the past and their present - day equivalent : soap operas . There is no longer any such thing as popular cinema for Mexico . The cinema ...
Síða 54
... film but at a Fellini film . What's important then was who made the film , not where it came from . Today , because of socioeconomic and political rea- sons , some movies are Mexican , some are French and some are Russian . But this ...
... film but at a Fellini film . What's important then was who made the film , not where it came from . Today , because of socioeconomic and political rea- sons , some movies are Mexican , some are French and some are Russian . But this ...
Síða 262
... film production in the United States speaks to local concerns , such as Allison Anders's Los Angeles neighborhood of Echo Park , and Mexican film is called upon to defend a national cultural heritage . The United States , as it appears ...
... film production in the United States speaks to local concerns , such as Allison Anders's Los Angeles neighborhood of Echo Park , and Mexican film is called upon to defend a national cultural heritage . The United States , as it appears ...
Efni
Culture Monopolies and Mexican Cinema A | 5 |
19892004 | 26 |
No Contest | 46 |
Höfundarréttur | |
18 aðrir hlutar ekki sýndir
Aðrar útgáfur - View all
Common terms and phrases
aesthetic Amores perros argues artistic audience Buñuel camera Carlos Carlos Fuentes Cecilia characters civil contemporary couples Court critical Cronos CRUZ The University cultural Danzón desire director discourse essay fantasy feminism feminist film's Fluxus Fluxwedding Fuentes gay marriage gays and lesbians gender globalization Guillermo heteronormative heterosexual homosexual identity intimacy José Juan Juan García Ponce La Malinche Latin American lesbian lesbian and gay ley de Herodes Los olvidados male Malinche mamá María María Félix married Melodrama ment Mexican cinema Mexican film Mexico City México D.F. Mormon mother movie narrative narrator Nate Niña Chole novel PACS political polygamy popular production protagonist provincia Queer question relation relationship riage Roberto role romance same-sex marriage Santa Julia scene sexual social society sodomy space Spanish spectator status story symbolic Tajimara Tigre de Santa tion traditional urban wedding woman women writes Zapata