Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 26Indiana University Press, 2004 |
From inside the book
Niðurstöður 1 - 3 af 53
Síða 168
... body is al- ready a theory of perception . Our own body is in the world as the heart is in the organism : it keeps the visible spectacle constantly alive , it breathes life into it and sustains it inwardly , and with it forms a system ...
... body is al- ready a theory of perception . Our own body is in the world as the heart is in the organism : it keeps the visible spectacle constantly alive , it breathes life into it and sustains it inwardly , and with it forms a system ...
Síða 186
... body . These groups repeatedly refer to how Danzón differs from other films because it does not employ the female body as a place upon which violence is expressed ; rather , this female body is portrayed as the center of sensuality ...
... body . These groups repeatedly refer to how Danzón differs from other films because it does not employ the female body as a place upon which violence is expressed ; rather , this female body is portrayed as the center of sensuality ...
Síða 8
... body ( " body without organs , " Spivak will call it , alluding to Gilles Deleuze and Félix Guattari's formulation ) and nature is not nature - nature because there is no such thing , since nature needs to grow consciousness ( man ) in ...
... body ( " body without organs , " Spivak will call it , alluding to Gilles Deleuze and Félix Guattari's formulation ) and nature is not nature - nature because there is no such thing , since nature needs to grow consciousness ( man ) in ...
Efni
Culture Monopolies and Mexican Cinema A | 5 |
19892004 | 26 |
No Contest | 46 |
Höfundarréttur | |
18 aðrir hlutar ekki sýndir
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aesthetic Amores perros argues artistic audience Buñuel camera Carlos Carlos Fuentes Cecilia characters civil contemporary couples Court critical Cronos CRUZ The University cultural Danzón desire director discourse essay fantasy feminism feminist film's Fluxus Fluxwedding Fuentes gay marriage gays and lesbians gender globalization Guillermo heteronormative heterosexual homosexual identity intimacy José Juan Juan García Ponce La Malinche Latin American lesbian lesbian and gay ley de Herodes Los olvidados male Malinche mamá María María Félix married Melodrama ment Mexican cinema Mexican film Mexico City México D.F. Mormon mother movie narrative narrator Nate Niña Chole novel PACS political polygamy popular production protagonist provincia Queer question relation relationship riage Roberto role romance same-sex marriage Santa Julia scene sexual social society sodomy space Spanish spectator status story symbolic Tajimara Tigre de Santa tion traditional urban wedding woman women writes Zapata