Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 26Indiana University Press, 2004 |
From inside the book
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Síða 114
... Roberto leads her up to his room . Roberto's desire parallels the heterosex- ual male spectator's desire . However , as the film progresses , we , the spectators , begin to suspect that the woman might in fact be a man . The deep voice ...
... Roberto leads her up to his room . Roberto's desire parallels the heterosex- ual male spectator's desire . However , as the film progresses , we , the spectators , begin to suspect that the woman might in fact be a man . The deep voice ...
Síða 164
... Roberto's rela- tionship . The initial segment ( 6 : 16-7 : 10 m . ) is a flashback to their youth set off during the scene of their meeting in a café after ten years of not seeing each other . It opens with the camera focusing briefly ...
... Roberto's rela- tionship . The initial segment ( 6 : 16-7 : 10 m . ) is a flashback to their youth set off during the scene of their meeting in a café after ten years of not seeing each other . It opens with the camera focusing briefly ...
Síða 165
... Roberto with reticence bordering on indifference . After this flashback one would have to wonder at Roberto's delusional deter- mination not to see Cecilia as she is . It also prepares the audience for Cecilia's callous abandonment of ...
... Roberto with reticence bordering on indifference . After this flashback one would have to wonder at Roberto's delusional deter- mination not to see Cecilia as she is . It also prepares the audience for Cecilia's callous abandonment of ...
Efni
Culture Monopolies and Mexican Cinema A | 5 |
19892004 | 26 |
No Contest | 46 |
Höfundarréttur | |
18 aðrir hlutar ekki sýndir
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aesthetic Amores perros argues artistic audience Buñuel camera Carlos Carlos Fuentes Cecilia characters civil contemporary couples Court critical Cronos CRUZ The University cultural Danzón desire director discourse essay fantasy feminism feminist film's Fluxus Fluxwedding Fuentes gay marriage gays and lesbians gender globalization Guillermo heteronormative heterosexual homosexual identity intimacy José Juan Juan García Ponce La Malinche Latin American lesbian lesbian and gay ley de Herodes Los olvidados male Malinche mamá María María Félix married Melodrama ment Mexican cinema Mexican film Mexico City México D.F. Mormon mother movie narrative narrator Nate Niña Chole novel PACS political polygamy popular production protagonist provincia Queer question relation relationship riage Roberto role romance same-sex marriage Santa Julia scene sexual social society sodomy space Spanish spectator status story symbolic Tajimara Tigre de Santa tion traditional urban wedding woman women writes Zapata