Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 26Indiana University Press, 2004 |
From inside the book
Niðurstöður 1 - 3 af 85
Síða 52
... Mexican film . The public that can't afford to pay the same as the middle class for a ticket ; it does have a way to access Mexican film . The only thing left is television , where they show Mexican films that had an enormous success in ...
... Mexican film . The public that can't afford to pay the same as the middle class for a ticket ; it does have a way to access Mexican film . The only thing left is television , where they show Mexican films that had an enormous success in ...
Síða 53
... Mexican filmed it . González Iñárritu does not sell himself as a Mexican Director . Here in San Sebastian , however , the film is vaguely perceived as a Mexican movie . A.R .: I was surprised when I saw in the film's official brochure ...
... Mexican filmed it . González Iñárritu does not sell himself as a Mexican Director . Here in San Sebastian , however , the film is vaguely perceived as a Mexican movie . A.R .: I was surprised when I saw in the film's official brochure ...
Síða 262
... Mexican government's neoliberal cultural reforms - parallels the shift Lomnitz traces . Dever's concern for the threats that face Mex- ican film production are understandable and warranted . Neverthe- less , her defense of the national ...
... Mexican government's neoliberal cultural reforms - parallels the shift Lomnitz traces . Dever's concern for the threats that face Mex- ican film production are understandable and warranted . Neverthe- less , her defense of the national ...
Efni
Culture Monopolies and Mexican Cinema A | 5 |
19892004 | 26 |
No Contest | 46 |
Höfundarréttur | |
18 aðrir hlutar ekki sýndir
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Common terms and phrases
aesthetic Amores perros argues artistic audience Buñuel camera Carlos Carlos Fuentes Cecilia characters civil contemporary couples Court critical Cronos CRUZ The University cultural Danzón desire director discourse essay fantasy feminism feminist film's Fluxus Fluxwedding Fuentes gay marriage gays and lesbians gender globalization Guillermo heteronormative heterosexual homosexual identity intimacy José Juan Juan García Ponce La Malinche Latin American lesbian lesbian and gay ley de Herodes Los olvidados male Malinche mamá María María Félix married Melodrama ment Mexican cinema Mexican film Mexico City México D.F. Mormon mother movie narrative narrator Nate Niña Chole novel PACS political polygamy popular production protagonist provincia Queer question relation relationship riage Roberto role romance same-sex marriage Santa Julia scene sexual social society sodomy space Spanish spectator status story symbolic Tajimara Tigre de Santa tion traditional urban wedding woman women writes Zapata