Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 26Indiana University Press, 2004 |
From inside the book
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Síða 102
... Carlos Fuentes writes his " Luis Buñuel : el cine como liber- tad . " Taking up two themes that Paz and Cortázar had already treated , namely the freedom and poetry of Buñuel's films , the Mexican novelist highlights traits identified ...
... Carlos Fuentes writes his " Luis Buñuel : el cine como liber- tad . " Taking up two themes that Paz and Cortázar had already treated , namely the freedom and poetry of Buñuel's films , the Mexican novelist highlights traits identified ...
Síða 152
... Carlos , occurs during his love affair with Cecilia . They appear because Ro- berto is forced to find another apartment when Cecilia destroys his roommate's belongings . She arranges for him to rent Julia and Carlos ' place since they ...
... Carlos , occurs during his love affair with Cecilia . They appear because Ro- berto is forced to find another apartment when Cecilia destroys his roommate's belongings . She arranges for him to rent Julia and Carlos ' place since they ...
Síða 162
... Carlos are introduced to the audience in a sequence staged in the then new Museo de Arte Moderno in Mexico City ( 18 : 12-19 : 29 ) . While at the end of the previous scene the camera is still tightly focused on small pre- Columbian ...
... Carlos are introduced to the audience in a sequence staged in the then new Museo de Arte Moderno in Mexico City ( 18 : 12-19 : 29 ) . While at the end of the previous scene the camera is still tightly focused on small pre- Columbian ...
Efni
Culture Monopolies and Mexican Cinema A | 5 |
19892004 | 26 |
No Contest | 46 |
Höfundarréttur | |
18 aðrir hlutar ekki sýndir
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aesthetic Amores perros argues artistic audience Buñuel camera Carlos Carlos Fuentes Cecilia characters civil contemporary couples Court critical Cronos CRUZ The University cultural Danzón desire director discourse essay fantasy feminism feminist film's Fluxus Fluxwedding Fuentes gay marriage gays and lesbians gender globalization Guillermo heteronormative heterosexual homosexual identity intimacy José Juan Juan García Ponce La Malinche Latin American lesbian lesbian and gay ley de Herodes Los olvidados male Malinche mamá María María Félix married Melodrama ment Mexican cinema Mexican film Mexico City México D.F. Mormon mother movie narrative narrator Nate Niña Chole novel PACS political polygamy popular production protagonist provincia Queer question relation relationship riage Roberto role romance same-sex marriage Santa Julia scene sexual social society sodomy space Spanish spectator status story symbolic Tajimara Tigre de Santa tion traditional urban wedding woman women writes Zapata