Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 26Indiana University Press, 2004 |
From inside the book
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Síða 101
... Buñuel the point of departure for his own novelistic destruction of " peaceful consciences " while creating an entranceway to " the interior pas- sageways " of Mexican society . Buñuel's " Archibaldo de la Cruz " would have his analogue ...
... Buñuel the point of departure for his own novelistic destruction of " peaceful consciences " while creating an entranceway to " the interior pas- sageways " of Mexican society . Buñuel's " Archibaldo de la Cruz " would have his analogue ...
Síða 104
... Buñuel had planned to combine filmicly ) . There was an opening for Buñuel to take Mexican cinema on a parallel path with the Latin American new novel when he planned to film Pedro Páramo in 1964. However , as we already know ( we have ...
... Buñuel had planned to combine filmicly ) . There was an opening for Buñuel to take Mexican cinema on a parallel path with the Latin American new novel when he planned to film Pedro Páramo in 1964. However , as we already know ( we have ...
Síða 108
... Buñuel's films captured first prizes : Robinson Crusoe , which premiered in 1954 , won the award for best film , beating another Buñuel film , La vida criminal de Archibaldo de la Cruz Buñuel was also named best director for Robinson ...
... Buñuel's films captured first prizes : Robinson Crusoe , which premiered in 1954 , won the award for best film , beating another Buñuel film , La vida criminal de Archibaldo de la Cruz Buñuel was also named best director for Robinson ...
Efni
Culture Monopolies and Mexican Cinema A | 5 |
19892004 | 26 |
No Contest | 46 |
Höfundarréttur | |
18 aðrir hlutar ekki sýndir
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aesthetic Amores perros argues artistic audience Buñuel camera Carlos Carlos Fuentes Cecilia characters civil contemporary couples Court critical Cronos CRUZ The University cultural Danzón desire director discourse essay fantasy feminism feminist film's Fluxus Fluxwedding Fuentes gay marriage gays and lesbians gender globalization Guillermo heteronormative heterosexual homosexual identity intimacy José Juan Juan García Ponce La Malinche Latin American lesbian lesbian and gay ley de Herodes Los olvidados male Malinche mamá María María Félix married Melodrama ment Mexican cinema Mexican film Mexico City México D.F. Mormon mother movie narrative narrator Nate Niña Chole novel PACS political polygamy popular production protagonist provincia Queer question relation relationship riage Roberto role romance same-sex marriage Santa Julia scene sexual social society sodomy space Spanish spectator status story symbolic Tajimara Tigre de Santa tion traditional urban wedding woman women writes Zapata