Discourse, Bindi 5-81987 |
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Niðurstöður 1 - 3 af 41
Síða 139
... visual impressions , a very vivid visual memory , very probably goes along here with a very strong propensity for daydreaming , when you see in your mind's eye whatever your are thinking about or remembering , like a film ...
... visual impressions , a very vivid visual memory , very probably goes along here with a very strong propensity for daydreaming , when you see in your mind's eye whatever your are thinking about or remembering , like a film ...
Síða 43
... visual perception in its physiological and psychological aspects . ) In spite of the attention it has been given recently , one of the most persistent stumbling blocks in a great number of writings on filmic narrative remains the ...
... visual perception in its physiological and psychological aspects . ) In spite of the attention it has been given recently , one of the most persistent stumbling blocks in a great number of writings on filmic narrative remains the ...
Síða 45
... visual material may result in strong limitations on the diege- sis ' flexibility and extensibility . 15 What is at stake here is also a comprehension of the relationship between spectator and film , and it is no coincidence that we ...
... visual material may result in strong limitations on the diege- sis ' flexibility and extensibility . 15 What is at stake here is also a comprehension of the relationship between spectator and film , and it is no coincidence that we ...
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Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation Roswitha scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing