Discourse, Bindi 5-81987 |
From inside the book
Niðurstöður 1 - 3 af 73
Síða ii
... : “Whoever Listens to You Listens to Me .” . . . . . . . . . . . . . . . . . 102 Scripture alone is not enough to tell us everything we need to know about salvation in Jesus Christ. Catholic Viewer's Guide HOW TO USE THIS GUIDE A.D. The ii.
... : “Whoever Listens to You Listens to Me .” . . . . . . . . . . . . . . . . . 102 Scripture alone is not enough to tell us everything we need to know about salvation in Jesus Christ. Catholic Viewer's Guide HOW TO USE THIS GUIDE A.D. The ii.
Síða 23
... viewer in detail, and by showing that it played a prominent role in artistic conversations as early as the eighteenth century. It also attempts to show that from an early date the notion of the kinetic viewer traversed the borders ...
... viewer in detail, and by showing that it played a prominent role in artistic conversations as early as the eighteenth century. It also attempts to show that from an early date the notion of the kinetic viewer traversed the borders ...
Síða
... viewer” and “spectator,” borrowed in part from film studies, signify a central schism between scientific paradigms and theories that postulate a TV watcher that can be deduced from the work. In film theory, “viewer” has come to refer to ...
... viewer” and “spectator,” borrowed in part from film studies, signify a central schism between scientific paradigms and theories that postulate a TV watcher that can be deduced from the work. In film theory, “viewer” has come to refer to ...
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Common terms and phrases
Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation Roswitha scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing