Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 5-8Indiana University Press, 1987 |
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Niðurstöður 1 - 3 af 33
Síða 122
... tive of analogy and signification . I find this shadow so " representa- tive , " because it manifests in the most obvious way imaginable the fact that Eisenstein thought of the question of figuration not so much in terms of painting ...
... tive of analogy and signification . I find this shadow so " representa- tive , " because it manifests in the most obvious way imaginable the fact that Eisenstein thought of the question of figuration not so much in terms of painting ...
Síða 40
... tive style of Wolf's work in terms that fit Redupers equally well : The prose writing of Christa Wolf ... makes use of the self- interrupting and non - linear methods of communication which characterize conversation ... She demystifies ...
... tive style of Wolf's work in terms that fit Redupers equally well : The prose writing of Christa Wolf ... makes use of the self- interrupting and non - linear methods of communication which characterize conversation ... She demystifies ...
Síða 14
... tive relation to the codes and conventions of dominant cinema . He takes " seven of the values of the old cinema , Hollywood Mos - film as Godard would put it , " and contrasts them with " their ( revolu- tionary , materialist ) ...
... tive relation to the codes and conventions of dominant cinema . He takes " seven of the values of the old cinema , Hollywood Mos - film as Godard would put it , " and contrasts them with " their ( revolu- tionary , materialist ) ...
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Common terms and phrases
Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation Roswitha scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing