Discourse, Bindi 5-81987 |
From inside the book
Niðurstöður 1 - 3 af 31
Síða 135
... symbolic character typing . It is important to emphasize that this is a mode of character typ- ing radically different from those previously used by Eisenstein . The Mensheviks of October are typed as Mensheviks , i.e. , as occupants of ...
... symbolic character typing . It is important to emphasize that this is a mode of character typ- ing radically different from those previously used by Eisenstein . The Mensheviks of October are typed as Mensheviks , i.e. , as occupants of ...
Síða 14
... symbolic order in relation to the structure of the Oedipus Complex ( the imbrication , under patriarchy of myth and the law ) by looking at motherhood , not as outside the symbolic but as a relatively silent and culturally despised area ...
... symbolic order in relation to the structure of the Oedipus Complex ( the imbrication , under patriarchy of myth and the law ) by looking at motherhood , not as outside the symbolic but as a relatively silent and culturally despised area ...
Síða 15
... symbolic . Existing as the unspeakable other , within patriarchy's own mythic structure , this unknown terrain could only be mapped through language . ' What is spoken ' can vary and change in history ( so , for instance , new concepts ...
... symbolic . Existing as the unspeakable other , within patriarchy's own mythic structure , this unknown terrain could only be mapped through language . ' What is spoken ' can vary and change in history ( so , for instance , new concepts ...
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Common terms and phrases
Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation Roswitha scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing