Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 5-8Indiana University Press, 1987 |
From inside the book
Niðurstöður 1 - 3 af 24
Síða 19
... sexual differentiation . The mirror relationship of the two shots in the ... difference . When the false bun falls out of the working woman's hair , the ... sexual difference , but it articu- lates an altogether different scopic ...
... sexual differentiation . The mirror relationship of the two shots in the ... difference . When the false bun falls out of the working woman's hair , the ... sexual difference , but it articu- lates an altogether different scopic ...
Síða 15
... sexual difference to a logical limit . In his article " Difference , " Stephen Heath highlights the pivotal concept of " woman as not man " and her " negative relation to the symbolic " for Lacan's vision of sexual difference . Reading ...
... sexual difference to a logical limit . In his article " Difference , " Stephen Heath highlights the pivotal concept of " woman as not man " and her " negative relation to the symbolic " for Lacan's vision of sexual difference . Reading ...
Síða 103
... sexual difference on which the political discourse of the film rests . 13 ( No accident therefore that film - theory has been at pains to specify what makes an image an imaginary signifier , and that avantgarde practice has increasingly ...
... sexual difference on which the political discourse of the film rests . 13 ( No accident therefore that film - theory has been at pains to specify what makes an image an imaginary signifier , and that avantgarde practice has increasingly ...
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Common terms and phrases
Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation Roswitha scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing