Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 5-8Indiana University Press, 1987 |
From inside the book
Niðurstöður 1 - 3 af 74
Síða 37
... representation which engages the spectators as subjects . Representation , as Stephen Heath puts it , " names the process of the engagement of sub- jectivity in meaning , the poles of which are the signifier and the subject but which is ...
... representation which engages the spectators as subjects . Representation , as Stephen Heath puts it , " names the process of the engagement of sub- jectivity in meaning , the poles of which are the signifier and the subject but which is ...
Síða 113
... representation aims to give the impression ) will in a way be split by this contradiction between a unifying ... Representation Assuming , then , the existence , at least ideally , of such prepara- tory work on the scene , in its ...
... representation aims to give the impression ) will in a way be split by this contradiction between a unifying ... Representation Assuming , then , the existence , at least ideally , of such prepara- tory work on the scene , in its ...
Síða 13
... representation of differ- ence , in which anxiety is " tamed and bound , " and lived experience in which sexuality is fraught with uncertainty , difficulty and confusion . Myth and representation over - lay ambivalence and contradic ...
... representation of differ- ence , in which anxiety is " tamed and bound , " and lived experience in which sexuality is fraught with uncertainty , difficulty and confusion . Myth and representation over - lay ambivalence and contradic ...
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Common terms and phrases
Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation Roswitha scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing