Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 5-8Indiana University Press, 1987 |
From inside the book
Niðurstöður 1 - 3 af 78
Síða 22
... relations of power and pleasure , with individuals and groups assuming variable posi- tions or positionalities . Power is ... relation to power , [ but ] by definition , they can only exist in the strategic field of power relations ...
... relations of power and pleasure , with individuals and groups assuming variable posi- tions or positionalities . Power is ... relation to power , [ but ] by definition , they can only exist in the strategic field of power relations ...
Síða 26
... relation- ship , presented in flashback , cannot be attributed to Milena who , in terms of the diegetic present , is unconscious for all but the very last scene . Literally , Milena is the " object " of Alex's desire ; she is most ...
... relation- ship , presented in flashback , cannot be attributed to Milena who , in terms of the diegetic present , is unconscious for all but the very last scene . Literally , Milena is the " object " of Alex's desire ; she is most ...
Síða 45
... relationship between spectator and film , and it is no coincidence that we raise these issues about the visual perception of the film and the nature of the image at a time when all current theories of film describe this relation as ...
... relationship between spectator and film , and it is no coincidence that we raise these issues about the visual perception of the film and the nature of the image at a time when all current theories of film describe this relation as ...
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Common terms and phrases
Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation Roswitha scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing