Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 5-8Indiana University Press, 1987 |
From inside the book
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Síða 57
... public sphere . Cutting through conventionally segregated levels of enunciation , Fassbinder transforms the enclosed space of his apartment into a public stage that exposes the personal - political double - bind of the individual artist ...
... public sphere . Cutting through conventionally segregated levels of enunciation , Fassbinder transforms the enclosed space of his apartment into a public stage that exposes the personal - political double - bind of the individual artist ...
Síða 58
... public sphere itself . Germany in Autumn ( which , needless to say , received neither federal nor television funding ) illustrates this strategy in its two - fold direction . Beyond the topical intervention - providing an oppositional ...
... public sphere itself . Germany in Autumn ( which , needless to say , received neither federal nor television funding ) illustrates this strategy in its two - fold direction . Beyond the topical intervention - providing an oppositional ...
Síða 59
... public event . More important than these various instances , however , is the way in which the format of the film reflects - and at the same time subverts - the overall structure of television programming . The ... Public Sphere 59.
... public event . More important than these various instances , however , is the way in which the format of the film reflects - and at the same time subverts - the overall structure of television programming . The ... Public Sphere 59.
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Common terms and phrases
Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation Roswitha scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing