Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 5-8Indiana University Press, 1987 |
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Síða 83
... Organicism is what gives the scientific laws of form ( scientificity guaranteed by recourse to Engels in the mode " intellectual authority " ) by modeling that form on " nature " and on the structure of thought . That is in itself no ...
... Organicism is what gives the scientific laws of form ( scientificity guaranteed by recourse to Engels in the mode " intellectual authority " ) by modeling that form on " nature " and on the structure of thought . That is in itself no ...
Síða 84
... organicism , which , insuring the conformity of the work of art with nature , in the mode of the leap ( of the ... organicism , nature , a nature endowed with corporeality and with laws which are themselves organic , should be so ...
... organicism , which , insuring the conformity of the work of art with nature , in the mode of the leap ( of the ... organicism , nature , a nature endowed with corporeality and with laws which are themselves organic , should be so ...
Síða 98
... Organicism and Imagnicity " ( written connection with the Regissoura project ) . Among other things we find there the following remarks : " The very law of structure of a phenomenon is expressed in an analo- gous law for the structure ...
... Organicism and Imagnicity " ( written connection with the Regissoura project ) . Among other things we find there the following remarks : " The very law of structure of a phenomenon is expressed in an analo- gous law for the structure ...
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Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation Roswitha scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing