Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 5-8Indiana University Press, 1987 |
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Niðurstöður 1 - 3 af 52
Síða 11
... opposition itself . The starting point for my attempt at cultural opposition was marked by my article " Visual Pleasure and Narrative Cinema , " 1 and the film Penthesilea ( co - directed with Peter Wollen ) . When I realized that both ...
... opposition itself . The starting point for my attempt at cultural opposition was marked by my article " Visual Pleasure and Narrative Cinema , " 1 and the film Penthesilea ( co - directed with Peter Wollen ) . When I realized that both ...
Síða 17
... opposition to " femininity , " a feminist interrogation of women's oppression might pre - figure the moment articulated by Luce Irigary when she said : " What I desire and what I am waiting for , is to see what men will do and say when ...
... opposition to " femininity , " a feminist interrogation of women's oppression might pre - figure the moment articulated by Luce Irigary when she said : " What I desire and what I am waiting for , is to see what men will do and say when ...
Síða 32
... opposition and difference . In terms of the cinema , this has meant , for instance , re - readings of classical Hollywood films , look- ing for the ways in which dualisms are , if not challenged , then at least opened up : Hence Tania ...
... opposition and difference . In terms of the cinema , this has meant , for instance , re - readings of classical Hollywood films , look- ing for the ways in which dualisms are , if not challenged , then at least opened up : Hence Tania ...
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Common terms and phrases
Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation Roswitha scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing