Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 5-8Indiana University Press, 1987 |
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Niðurstöður 1 - 3 af 78
Síða 8
... narrative that the avant- garde can act upon those constructions and relations of meaning . As has often been remarked , every narrative effects a transforma- tion . Although classic cinema generally uses narrative to move the viewer ...
... narrative that the avant- garde can act upon those constructions and relations of meaning . As has often been remarked , every narrative effects a transforma- tion . Although classic cinema generally uses narrative to move the viewer ...
Síða 22
... Narrative Form , " Terence Turner gives an ideological inflection and significance to the relation between stasis and event in narrative . He takes issue with Levi - Strauss's emphasis on the synchronic and draws atten- tion to the fact ...
... Narrative Form , " Terence Turner gives an ideological inflection and significance to the relation between stasis and event in narrative . He takes issue with Levi - Strauss's emphasis on the synchronic and draws atten- tion to the fact ...
Síða 109
... narrative , the kinds of difference which found the order of discourse , such as male / female , seeing / seen partake equally of referentiality and enunciation : indeed narrative efficacity depends on their convergence to the point of ...
... narrative , the kinds of difference which found the order of discourse , such as male / female , seeing / seen partake equally of referentiality and enunciation : indeed narrative efficacity depends on their convergence to the point of ...
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Common terms and phrases
Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation Roswitha scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing