Discourse, Bindi 5-81987 |
From inside the book
Niðurstöður 1 - 3 af 42
Síða 47
... metaphor in the reconstruction of this concept which is about to be pro- posed , a metaphor suggested by the title and the method of the famous essay , " Vertical Montage " ( 1940 ) ( RW 2 , p . 1894 ) . That essay is in part concerned ...
... metaphor in the reconstruction of this concept which is about to be pro- posed , a metaphor suggested by the title and the method of the famous essay , " Vertical Montage " ( 1940 ) ( RW 2 , p . 1894 ) . That essay is in part concerned ...
Síða 94
... metaphor of the frame as a " cell of montage " ( a proposition which E. opposes to Pudovkin's , the frame as " element of montage , ” referring to a conception of montage as a game of construction , tinkertoy - like ) is obviously ...
... metaphor of the frame as a " cell of montage " ( a proposition which E. opposes to Pudovkin's , the frame as " element of montage , ” referring to a conception of montage as a game of construction , tinkertoy - like ) is obviously ...
Síða 130
... metaphor . ( Very logically , the notion of the " global image " reappears here in the form of a single theme , which circulates from element to element , from actor to actor , each time bringing into play a different material , a ...
... metaphor . ( Very logically , the notion of the " global image " reappears here in the form of a single theme , which circulates from element to element , from actor to actor , each time bringing into play a different material , a ...
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Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation Roswitha scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing