Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 5-8Indiana University Press, 1987 |
From inside the book
Niðurstöður 1 - 3 af 74
Síða 108
... meaning , to induce specific emotions - takes on an aspect of madness as it forms a parenthe- sis in which " beauty " and " deformity " are given a certain parity by association , yet counterposed as an oxymoron , a crisis in meaning ...
... meaning , to induce specific emotions - takes on an aspect of madness as it forms a parenthe- sis in which " beauty " and " deformity " are given a certain parity by association , yet counterposed as an oxymoron , a crisis in meaning ...
Síða 110
... meaning of " adynata " is revealed : " a stringing to- gether of impossibilities ” as a means of speaking . Impossible in narrative logic , perhaps , but in Blanchot's words , " here meaning does not escape into another meaning but into ...
... meaning of " adynata " is revealed : " a stringing to- gether of impossibilities ” as a means of speaking . Impossible in narrative logic , perhaps , but in Blanchot's words , " here meaning does not escape into another meaning but into ...
Síða 117
... meaning . China seems to resist yielding this meaning , not because it hides it , but more subver- sively , because ( in this respect very un - Confucian ) it defeats the constitution of concepts , themes , names . It does not divide up ...
... meaning . China seems to resist yielding this meaning , not because it hides it , but more subver- sively , because ( in this respect very un - Confucian ) it defeats the constitution of concepts , themes , names . It does not divide up ...
Aðrar útgáfur - View all
Common terms and phrases
Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation Roswitha scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing