Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 5-8Indiana University Press, 1987 |
From inside the book
Niðurstöður 1 - 3 af 79
Síða 120
... look , which has just been mentioned . ) The looks exchanged articulate the discourse at the same time that they disarticu- late the space . 19 In shots 26-27-28-29 , for example , it is quite obvious that Ivan's looks ( and his anger ) ...
... look , which has just been mentioned . ) The looks exchanged articulate the discourse at the same time that they disarticu- late the space . 19 In shots 26-27-28-29 , for example , it is quite obvious that Ivan's looks ( and his anger ) ...
Síða 69
... look in the film rather functions like a Lacanian gaze , 42 the look that pre - exists the sub- ject in the field of desire . Never satisfied nor ever satisfiable , this gaze is challenged by the vast panorama of disasters which is ...
... look in the film rather functions like a Lacanian gaze , 42 the look that pre - exists the sub- ject in the field of desire . Never satisfied nor ever satisfiable , this gaze is challenged by the vast panorama of disasters which is ...
Síða 53
... look . There is a radical difference between the uses of the look and the voice here : though both are involved in establishing an imaginary relationship between film and viewer , the voice ( Godard's voice , to be referred to the ...
... look . There is a radical difference between the uses of the look and the voice here : though both are involved in establishing an imaginary relationship between film and viewer , the voice ( Godard's voice , to be referred to the ...
Aðrar útgáfur - View all
Common terms and phrases
Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation Roswitha scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing