Discourse, Bindi 5-81987 |
From inside the book
Niðurstöður 1 - 3 af 55
Síða 50
... language , of cine - grammar . Even if , on occasion , in the twenties , he let the idea of it emerge : When the elements of montage are selected from the filmed fragments in the course of the process of construction , of filming , and ...
... language , of cine - grammar . Even if , on occasion , in the twenties , he let the idea of it emerge : When the elements of montage are selected from the filmed fragments in the course of the process of construction , of filming , and ...
Síða 93
... language system and cinematic language . The distinction raises special problems for an English translation , partly because , as Stephen Heath has pointed out in a discussion of these difficulties , there is " no real overlap in ...
... language system and cinematic language . The distinction raises special problems for an English translation , partly because , as Stephen Heath has pointed out in a discussion of these difficulties , there is " no real overlap in ...
Síða 68
... language of a survivor is simply not heard the way it is spoken . It's especially not heard in films because the language of films is a very constructed language , the same way that the " reality " of a film is a fabricated one . The ...
... language of a survivor is simply not heard the way it is spoken . It's especially not heard in films because the language of films is a very constructed language , the same way that the " reality " of a film is a fabricated one . The ...
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Common terms and phrases
Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation Roswitha scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing