Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 5-8Indiana University Press, 1987 |
From inside the book
Niðurstöður 1 - 3 af 43
Síða 19
... imaginary bases of subjectivity - the part played there by identification and imitation . She also suggests that imaginary operations , like symbolic ones , find their locus in gender , since despite the economic and social gulf which ...
... imaginary bases of subjectivity - the part played there by identification and imitation . She also suggests that imaginary operations , like symbolic ones , find their locus in gender , since despite the economic and social gulf which ...
Síða 76
... imaginary , which pre - exists it , of projection — a moment of visibility , of the visible , crucially without an observer - without being the result of an act of observation , an already seen , a past for which the present serves as a ...
... imaginary , which pre - exists it , of projection — a moment of visibility , of the visible , crucially without an observer - without being the result of an act of observation , an already seen , a past for which the present serves as a ...
Síða 90
... Imaginary . He accrues the power of a constituting discourse , and she assumes the enigmatic qualities of an image ... imaginary existences . It is a way the men have of speaking to each other . This situation will always be ...
... Imaginary . He accrues the power of a constituting discourse , and she assumes the enigmatic qualities of an image ... imaginary existences . It is a way the men have of speaking to each other . This situation will always be ...
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Common terms and phrases
Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation Roswitha scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing