Discourse, Bindi 5-81987 |
From inside the book
Niðurstöður 1 - 3 af 58
Síða 29
... ideological effects on the plebs have been uncontestable and profound . " 16 Nevertheless , the pure and simple masses must be kept unsullied for the sake of his argument : " if people went rushing after women to shave their heads it ...
... ideological effects on the plebs have been uncontestable and profound . " 16 Nevertheless , the pure and simple masses must be kept unsullied for the sake of his argument : " if people went rushing after women to shave their heads it ...
Síða 68
... ideological ) end - goal , expressed in what are finally tame slogans , gives way to the end - goal of ecstasy - and ... ideological preoccupation , which this time is not merely a guarantee or a rhetorical precaution . As will be seen ...
... ideological ) end - goal , expressed in what are finally tame slogans , gives way to the end - goal of ecstasy - and ... ideological preoccupation , which this time is not merely a guarantee or a rhetorical precaution . As will be seen ...
Síða 73
... ideological aim ) , the idea of a calculation , of the possibility of a science of this effectiveness , is always implied . And it is this , I believe , this will to science ( or , if you prefer , this belief of Eisenstein's in the ...
... ideological aim ) , the idea of a calculation , of the possibility of a science of this effectiveness , is always implied . And it is this , I believe , this will to science ( or , if you prefer , this belief of Eisenstein's in the ...
Aðrar útgáfur - View all
Common terms and phrases
Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation Roswitha scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing