Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 5-8Indiana University Press, 1987 |
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Niðurstöður 1 - 3 af 72
Síða 52
... idea of a cut , adding to it the idea that something has been removed , amputated14 ) . Despite their undeniably illogical nature , these associations seem to me quite symptomatic of the importance , in the definition of the fragment ...
... idea of a cut , adding to it the idea that something has been removed , amputated14 ) . Despite their undeniably illogical nature , these associations seem to me quite symptomatic of the importance , in the definition of the fragment ...
Síða 66
... idea of " intellectual montage , " or , for example , certain theses on color put forward in 1946 , which especially stress the " autonomisable " aspect of the attraction30 ) . But above all , despite all the apparent abruptness and ...
... idea of " intellectual montage , " or , for example , certain theses on color put forward in 1946 , which especially stress the " autonomisable " aspect of the attraction30 ) . But above all , despite all the apparent abruptness and ...
Síða 99
... idea - the idea of unity - towards its content and its true meaning . " ( Leonide Kozlov , " L'Unité : à propos de l'histoire d'une idée , " Cahiers du cinéma , No. 226-27 , Jan. - Feb . 1971 , pp . 228-38 , first published in ...
... idea - the idea of unity - towards its content and its true meaning . " ( Leonide Kozlov , " L'Unité : à propos de l'histoire d'une idée , " Cahiers du cinéma , No. 226-27 , Jan. - Feb . 1971 , pp . 228-38 , first published in ...
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Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation Roswitha scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing