Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 5-8Indiana University Press, 1987 |
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Niðurstöður 1 - 3 af 88
Síða 24
... film's reception . * * Nicolas Roeg's Bad Timing : A Sensual Obsession seems to have caused more displeasure than ... films such as Oshima's In the Realm of the Senses , Cavani's The Night Porter , Pasolini's Salò or to a lesser ...
... film's reception . * * Nicolas Roeg's Bad Timing : A Sensual Obsession seems to have caused more displeasure than ... films such as Oshima's In the Realm of the Senses , Cavani's The Night Porter , Pasolini's Salò or to a lesser ...
Síða 94
... films included : In my new film ( Aller Jamais Retour ) quasi - documentary scenes alternate with extremely stylized ones . This is so because I noticed especially in films made in Berlin , that a lot of the work is documentary - and the ...
... films included : In my new film ( Aller Jamais Retour ) quasi - documentary scenes alternate with extremely stylized ones . This is so because I noticed especially in films made in Berlin , that a lot of the work is documentary - and the ...
Síða 33
... films which , because of one form of distance or another from the classical model , have been claimed to represent a ... film like Personal Best is " progressive " , it is only by providing a new format to a tried and true formula ...
... films which , because of one form of distance or another from the classical model , have been claimed to represent a ... film like Personal Best is " progressive " , it is only by providing a new format to a tried and true formula ...
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Common terms and phrases
Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation Roswitha scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing