Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 5-8Indiana University Press, 1987 |
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Niðurstöður 1 - 3 af 52
Síða 136
... figure ( as is the case with the Mensheviks in October and of the kulak in The General Line ) , it is in a way precarious . Basmanov is not reduced to his femininity , any more than Anastasia is reduced to her figure of the Good Mother ...
... figure ( as is the case with the Mensheviks in October and of the kulak in The General Line ) , it is in a way precarious . Basmanov is not reduced to his femininity , any more than Anastasia is reduced to her figure of the Good Mother ...
Síða 103
... figure with whom the spectator might identify - this would lead inevitably to a fictional and romanesque con ... figure Achternbusch draws some of his strongest comic effects ( and in this sense he is closer to the bad taste of ...
... figure with whom the spectator might identify - this would lead inevitably to a fictional and romanesque con ... figure Achternbusch draws some of his strongest comic effects ( and in this sense he is closer to the bad taste of ...
Síða 84
... figures which mark an absence . That is , the figure of Woman , for example , stands as a simulacra for all the ... figure . This territory of the Other ( the past , the colony , differences of gender , race , nationality ) serves ...
... figures which mark an absence . That is , the figure of Woman , for example , stands as a simulacra for all the ... figure . This territory of the Other ( the past , the colony , differences of gender , race , nationality ) serves ...
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Common terms and phrases
Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation Roswitha scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing