Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 5-8Indiana University Press, 1987 |
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Niðurstöður 1 - 3 af 67
Síða 44
... feminist novelists . Love hypothesized that the long - time silence of women in literature was due , not entirely to a ... feminism : The last thing feminists need is a theory that teaches them only to marvel anew at the constant ...
... feminist novelists . Love hypothesized that the long - time silence of women in literature was due , not entirely to a ... feminism : The last thing feminists need is a theory that teaches them only to marvel anew at the constant ...
Síða 46
... Feminist Film Criticism " in Heresies , No. 9 ( 1980 ) , pp . 74-81 . 15. Myra Love , “ Christa Wolf and Feminism : Breaking the Patriarchal Connection , " in New German Critique , No. 16 ( Winter 1979 ) , p . 34 . 16. See the materials ...
... Feminist Film Criticism " in Heresies , No. 9 ( 1980 ) , pp . 74-81 . 15. Myra Love , “ Christa Wolf and Feminism : Breaking the Patriarchal Connection , " in New German Critique , No. 16 ( Winter 1979 ) , p . 34 . 16. See the materials ...
Síða 34
... feminist film criticism . Godard's recent films - Sauve qui peut la vie , Passion , and Pré- nom Carmen - have ... feminism is one instance ) , is an evaluation of the relationship between critique and celebration . The point is ...
... feminist film criticism . Godard's recent films - Sauve qui peut la vie , Passion , and Pré- nom Carmen - have ... feminism is one instance ) , is an evaluation of the relationship between critique and celebration . The point is ...
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Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation Roswitha scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing